![]() ![]() Boards are moderate to severely edgeworn. ![]() Due to age and/or environmental conditions, the pages of this book have darkened. And nothing now could stop what was begun between them-nothing could still the urgent fires of the love they were born to share! Piece(s) of the spine missing. Captain Saber, whose savage passions made her a woman, but whose tender kisses plundered her soul. Yet the very daring of her escape plunged her into even graver peril, as captive mistress to notorious high seas outlaw. ![]() Outwitting a ruthless plot against her, she fled her aristcratic English home on a privateer's ship bound for the luxurious pirate havens of New Orleans-and exquisite abandon in Bermuda's hidden coves. Beautiful, headstrong Nicole Ashford was yet untouched by passion, but destined for adventure-and pleasure-beyond anything a woman of her time had ever known. ![]()
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![]() ![]() Since starting this journey as a poet and artist, Morgan has become the author of many books including Storyteller: 100 Letter Poems, All Along You Were Blooming, How Far You Have Come and soon to be released Peace is a Practice. I write in honesty and imperfection, knowing things will get better, and together, we have a gift of grace.” “I write to connect, because I know in my core, we are all more alike than we are different. Her work shows how universal our needs and problems are, as so many of us can relate to her words of wisdom. Morgan began to answer the requests for advice from people in need of a particular reassurance, and she would write directly for them and share only the response on social media which she still does to this day. Her journey to writing poetry started when she posted online a poem she wrote about ending her career as a musician, and received so many messages back supporting her poetry. Morgan Harper Nichols is an artist and designer, author and poet, musician and songwriter, podcaster and was recently diagnosed with autism. ![]() You have probably seen Morgan Harper Nichols, who is also signed as MHN, all over social media with her gorgeous artwork and poetry. ![]() ![]() Journeying through history and across culture, he uses surprising examples ranging from Woodrow Wilson's police state to the Clinton personality cult, the military chic of 60s' student radicals to Hollywood's totalitarian aesthetics, to show that it is modern progressivism - and not conservatism - that shares the same intellectual roots as fascism.This angry, funny, smart and contentious book looks behind the friendly face of the well-meaning liberal, and turns our preconceptions inside out. Here he destroys long-held myths to reveal why the most insidious attemps to control our lives originate from the left, whether it's smoking bans or security cameras. But what does it really mean? What if the true heirs to fascism were actually those who thought of themselves as being terribly nice and progressive - the liberals?Jonah Goldberg's excoriating, opinion-driving, US bestseller explains why. Jonah Jacob Goldberg is an American conservative syndicated columnist and author. The fact that it secured publication with a major publishing house and that it is offered up as a subject for conversation on talk shows around the country says something rather profound about our culture, I am afraidand not positive. Today the word 'fascist' is usually an insult aimed at those on the right, from neocons to big business. Liberal Fascism offers a startling new perspective on the theories and practices that define fascist politics. Jonah Goldberg’s book, Liberal Fascism, is certainly not the worst of the worst. ![]() ![]() But Maina Chawla Singh is right to note in Being Indian, Being Israeli (2009) that “much existing scholarship seems to linger in … a ‘nostalgic mode’-singing a ‘requiem’ to the story of Indian Jews, as a story which ostensibly ended when they emigrated from India,” and that this narrative can and should be called into question (39). ![]() There can be no doubt that the Cochin Jewish community has decreased in size, which presents a variety of challenges. Edna Fernandes’s The Last Jews of Kerala (2008), for instance, in keeping with the title, describes the subject community in the book’s opening pages as “dwindling” (x), “diminishing” (xi), its “demise … an inevitability” (xi). ![]() ![]() If, as I have already argued in Chapter 2, diasporic South Asian writers have sometimes tended to associate Jewishness with the past, and to transform Jewish characters into a haunting presence, their representations are also inextricably bound up with the narration and understanding of Indian Jews within other disciplines, such as journalism and history. ![]() |